Dr. Donald S. Reinhardt’s Ten Test Drills for Trombone
$8.00
Spend some quality time with these drills in the practice room, and then when it’s time to play music on your horn you’ll “suddenly” feel like a million bucks!
Description
Dr. Donald S. Reinhardt’s Ten Test Drills for Trombone
In his later years, upon completion of your personalized Orientation and Analysis Period of the Pivot System, Dr. Donald S. “Doc” Reinhardt would send you off with the Ten Test Drills. He would determine your embouchure type, your tongue type, your pivot and your pivot angle, and have you embark on a six to eight week incubation period to get your embouchure headed in the right direction for your particular physical type.
Your personalized Pivot Deviation Sheet in conjunction with the Pivot Stabilizer were your first two initial chores. There are many who would argue that the Pivot Stabilizer is of no use without an orientation period, and in many cases this is true. However, the wording of the text issued in The Reinhardt Routines (Boptism Music Publishing 2007) was designed to guide players with no exposure to a Reinhardt teacher toward the right path to get them playing and pivoting correctly.
That same text is what precedes the Pivot Stabilizer on the next page of this packet of drills.
The musical notation of the drills that follow are written-out versions of those test drills. In some cases, the short-hand that Doc used left room for misinterpretation, and the design of this packet is intended to avoid similar misinterpretation.
A friendly warning about these drills: they are (for the most part) very difficult to play, especially in a musical fashion. Each drill bears down on some aspect of playing, the results of which you may not see until you’ve done these for many, many consecutive days and are then “put to the test” on the bandstand.
What you may find (which has been the case for many) is that when the time comes to play music on your horn, you’ll “suddenly” feel like a million bucks and will feel like a whole new player on the gig. That’s because you’ve been ironing out the wrinkles in your various areas of technical proficiency, and now when “all you have to do is make music,” you’ll experience a sense of freedom and artistic abandon that you may not have ever experienced. Enjoy! That’s what this is all about.
Only logged in customers who have purchased this product may leave a review.
Related products
-
The Ultimate Obstacle Course For Jazz Players for trumpet & all 𝄞 treble clef instruments by Rich Willey (PDF)
0 out of 5$15.00 Add to cartCould you use a practice regimen designed to improve reading, key fluency, and overall musicianship for an aspiring, improvising commercial player?
This study in tricky rhythms over common chord changes presented in 12 major keys helps you become a literate, musical and competent jazz player.
-
Guiseppe Concone: Fifteen Vocalises Op. 12, “Finishing Studies for High Voice” adapted for B♭ Trumpet by Rich Willey (PDF)
0 out of 5$8.00 Add to cartWould you like to have as glorious a sound in your upper register as you do in your middle and lower registers?
Guiseppe Concone’s 15 Vocalises Opus 12, Finishing Studies for High Voice will help develop smoother upper register facility for B♭ trumpet players.
-
Reinhardt for Beginners for Trumpet, Cornet or Flugelhorn, by Donald S. Reinhardt (PDF)
0 out of 5$10.00 Add to cartPublished briefly in 1942 and now in print again, Donald S. “Doc” Reinhardt’s original Trumpet beginner’s book is back!
-
Focal Point — A Centered Approach To Embouchure Development for Trombone by Rich Willey (PDF)
0 out of 5$15.00 Add to cartA long-time student of Dr. Donald S. Reinhardt, Rich has embedded Reinhardt principles into a logical series of beginning-of-your-playing-day warm ups and routines designed to build range and endurance while improving overall technique minus the boredom.
“Before Focal Point, I had never come across a book where the fundamental concept is so simple but the applications and impact on one’s playing is so multi-layered, deep and meaningful.” — Chris Gekker, trumpet professor, University of Maryland
Reviews
There are no reviews yet.